01 work, PORTRAIT OF A LADY, Tamara de Lempicka's Portrait de Marjorie Ferry, with Footnotes. #143

Tamara de Lempicka, (1898-1980)

Portrait de Marjorie Ferry, c. 1932

Oil on canvas

39 3/8 x 25 5/8 in. (100 x 65 cm.)

Private collection

Portrait de Marjorie Ferry was painted in 1932 in the artist’s studio on rue Méchain in Paris.

Marjorie Ferry, a well-known British chanteuse performing in Paris, is the quintessence of Jazz Age glamour, coolly seductive and unmistakably modern. In fact, there is something of the ocean liner about her streamlined, metallic glossiness. Standing by the curved railing of a staircase or balcony, she turns her head and poses like a goddess of the silver screen, her sleek blond helmet of hair falling across her forehead like Carole Lombard’s and her head cropped as if by a camera. More on this painting

Tamara Łempicka (born Maria Górska; 16 May 1898 – 18 March 1980), also known as Tamara de Lempicka, was a Polish painter active in the 1920s and 1930s, who spent her working life in France and the United States. She is best-known for her polished Art-Deco portraits of aristocrats and the wealthy, and for her highly-stylized paintings of nudes.

Born in Warsaw, Lempicka moved to Saint Petersburg where she married a prominent Polish lawyer, then emigrated to Paris with her husband following the Russian Revolution. Her style was a blend of late, refined cubism and the neoclassical style, particularly inspired by the work of Jean-Dominique Ingres. She was an active participant in the artistic and social life of Paris between the Wars. In 1928 she became the mistress of wealthy art collector from the Austro-Hungarian Empire, Baron Raoul Kuffner. After the death of his wife in 1933, the Baron married Lempicka in 1934, and thereafter she became known in the press as "The Baroness with a Brush."

Following the outbreak of World War II in 1939, she and her husband moved to the United States and she painted celebrity portraits, as well as still-lifes and, in the 1960s, some abstract paintings. Her work was out of fashion after World War II, but made a comeback in the late 1960s, with the rediscovery of Art Deco. She moved to Mexico in 1974, where she died in 1980. At her request, her ashes were scattered over the Popocatapetl volcano. More on Tamara Łempicka

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