01 work, PORTRAIT OF A LADY, Edwin Long's The Assyrian Captive, with Footnotes. #178

Edwin Long (British, 1829-1891)

The Assyrian Captive, c. 1880

Oil on canvas

56 x 36 in. (142.2 x 91.4 cm.)

Private collection

The Assyrian captivity (or the Assyrian exile) is the period in the history of ancient Israel and Judah during which several thousand Israelites from the Kingdom of Israel were forcibly relocated by the Neo-Assyrian Empire. This is one of the many instances of the resettlement policy of the Neo-Assyrian Empire. The Kingdom of Israel was conquered by the Neo-Assyrian monarchs Tiglath-Pileser III and Shalmaneser V. The later Assyrian rulers Sargon II and his son and successor, Sennacherib, were responsible for finishing the twenty-year demise of Israel's northern ten-tribe kingdom, although they did not overtake the Kingdom of Judah. Jerusalem was besieged, but not taken. The tribes forcibly resettled by Assyria later became known as the Ten Lost Tribes. More on The Assyrian captivity

Edwin Longsden Long RA (12 July 1829 – 15 May 1891) was an English genre, history, biblical and portrait painter. Long was born in Bath, and was educated at Dr. Viner's School in Bath. Adopting the profession of a painter, Long came to London and studied in the British Museum. He was subsequently a pupil in the school of James Mathews Leigh in Newman Street London, and practiced first as a portrait artist painting Charles Greville, Lord Ebury and others.

Long made the acquaintance of John Phillip RA, and accompanied him to Spain, where they spent much time. Long was greatly influenced by the paintings of Velasquez and other Spanish masters, and his earlier pictures, such as 'La Posada' (1864) and 'Lazarilla and the blind beggar' (1870), were painted under Spanish influence. His first important pictures were 'The Suppliants' (1872) and 'The Babylonian marriage market' (both subsequently purchased by Thomas Holloway). In 1874, he visited Egypt and Syria, and subsequently his work took a new direction. He became thoroughly imbued with middle-eastern archaeology and painted oriental scenes like 'The Egyptian Feast' (1877), 'The Gods and their makers' (1878) etc.

Long was elected an associate of the Royal Academy in 1870 and an academician (RA) in 1881. His pictures suited the taste and appealed to the religious sentiment of a large portion of the public, and their popularity was increased by a wide circulation of engravings. He consequently determined to exhibit his next pictures in a separate gallery of his own in Bond Street, London and there in 1883, and the following years, his 'Anno Domini' and 'Zeuxis at Crotona' met with great commercial success.

Long died from pneumonia resulting from influenza, at his home, "Kelston" in Netherhall Gardens, Hampstead, on 15 May 1891, in his sixty-second year. He was buried in West Hampstead Cemetery. More on Edwin Longsden Long

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