Shirin Neshat is an Iranian artist living in exile. Some of her work is more poetic than overtly political, but she makes clear that “politics doesn’t seem to escape people like me,” using “art as her weapon” for social commentary.
This photograph is one of her earliest works from the Women of Allah series, exploring the female’s role in Islamic fundamentalism and militancy in Iran. It appears to speak to 18th and 19th-century Orientalist painting that fantasized Middle-Eastern women as subject to the male gaze, as nude posessions surrounded by material goods. But Neshat’s sitters gaze boldly back, often holding guns, freeing the female body from this objectification. More on Shirin Neshat
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